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| Analog, May 1970
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| The Telzey Toy |
March 2002; March 2008 |
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This review develops a portion of my essay, |
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| "Resident Witch" is a stunning story for any reader truly thoughtful about the human potential. In subtlety and power Schmitz's novelet reminds me of some of Fritz Leiber's best. What is a human personality anyway, what does it consist of, what anchors your personality to you? A cunning and nasty murder attempt is underway; although it now seems ordained, Telzey and the Kyth Interstellar detective agency are trying to prevent it:
Demigoddess? That is a word of power, and I maintain that James Schmitz is a rare exemplar of a writer understanding and characterizing what being a demigoddess might actually involve in modern terms. In "Undercurrents" we might say that Telzey has made her first visit to Olympus. It's during "Resident Witch" we must add that she earns a seat at the high table, between Psyche the breath of Spirit, and Artemis the Huntress. Demigoddess of the mind? Is this in the human potential? Not ancient religion, not mythology, not fantasy, but science fiction a speculative but reasonable extrapolation of known human capabilities? Dare we think so? Why not? Near the beginning of "Resident Witch", two smart and tough operatives of the Kyth Interstellar detective agency have asked Telzey for urgent advice about the murder attempt underway at that moment but they're reluctant to accept her offer of active help:
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© 2002, 2008 Robert Wilfred Franson |
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