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All the Dogs of Europe |
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| Fantasy & Science Fiction, September 1983 |
April 2006 | ||||||||||
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Andrea Caldwell, a cellist with a New York City orchestra, surprisingly finds herself in a small village square in Austria. Her discovery process quite a good struggle, really is the story. It's suspenseful, with a number of unpredictable turns even as we increasingly figure out what is going on. While "All the Dogs of Europe" runs in its own personal dream-time and is not historical, our paying attention to the source of the title and its era gives a glimpse into greater depths than we usually dream about, or wish to think about.
Dream stories by their nature are liable to inherent problems and risks. Too often such stories are overly protean or blurred, deliberately tangled and confusing to the reader where they should be straightforward. "All the Dogs of Europe" does not suffer from these problems; it is admirably clear, with crisp characterization and sense of place. The dreaming is well handled, with just the right degree of mysteriousness for each phase of the story. All the Dogs of Europe" is an excellent story, and deserves a place in some future collection of Barbara Paul's science fiction and fantasy. There's another line in Auden's poem which seems to me apropos to "All the Dogs of Europe", where Auden says of Yeats:
Dreaming is a dynamic process. We should be careful whom we dream of, and to, and for.
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© 2006 Robert Wilfred Franson |
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