In Search of Wonder
Essays on Modern Science Fiction
by Damon Knight
  

Advent, Chicago  (via NESFA Press)
first edition, 1956
second edition, 1967
third edition, enlarged and extended, 1996

402 pages

This book is not a history, more a grab-bag of Damon Knight's critical writing, with some chapters which are memoir, or how-to-write, or definitional overview. The memoirs seem to me more enjoyable than Knight's autobiographical The Futurians. There is a technically annotated version of a short story by Knight himself. And for a definition, or definitions, of science fiction, Knight has tried longer and with better success than almost anyone.

Knight revels in comparing and contrasting, both within and without science fiction and fantasy. An example:

The Coming of Conan, by Robert E. Howard, is of interest to Howard enthusiasts, who will treasure it no matter what anyone says, and to students who may find it, as I do, an intriguing companion piece to L. Sprague de Camp's The Tritonian Ring. Howard's tales lack the de Camp verisimilitude — Howard never tried, or never tried intelligently, to give his preposterous saga the ring of truth — but they have something that de Camp's stories lack: a vividness, a color, a dream-dust sparkle, even when they're most insulting to the rational mind. Howard had the maniac's advantage of believing whatever he wrote; de Camp is too wise to believe wholeheartedly in anything.

The dissection of The World of Null-A in "Cosmic Jerrybuilder: A. E. van Vogt" is expanded from Knight's fanzine essay, published shortly after van Vogt's impressive novel's serialization in Astounding in 1945. Reading this chapter in the first edition of In Search of Wonder was a baptism of fiery darts for my teenage critical faculties.

The chapter "One Sane Man: Robert A. Heinlein" is particularly fine and insightful, as are various discussions of James Blish's works. Early looks at Philip K. Dick and Arthur C. Clarke are perceptive as well as appreciative. Isaac Asimov, Theodore Sturgeon, and the team of Henry Kuttner and Catherine L. Moore are included — but all, inevitably, with fewer pages than I'd like. A lot of middling and minor writers and works are analyzed; some of the best and perhaps most useful insights are into lesser or problematic works of major writers.

On non-fiction, there is a review of The Immortal Storm by Sam Moskowitz; and a chapter on "The Excluded Data: Charles Fort" heralds Knight's book-length biography-analysis, Charles Fort: Prophet of the Unexplained.

Given the grab-bag format, what are the weaknesses of the criticism of In Search of Wonder? I think Damon Knight's view of John W. Campbell as editor of Astounding Science Fiction is much too shallow, as are the mentions of Edward E. Smith — Knight's modern outlook is dating itself with these. James H. Schmitz is mentioned only once, albeit quite positively. Both Murray Leinster and Fritz Leiber are mentioned multiple times, but discussed too little. And too many truly worthless stories are covered, which don't even deserve mention as horrible examples.

A few words of warning: In Search of Wonder is full of plot spoilers. It's meant for aficionados who already are fairly well read in the science-fiction field and curious about its structure and history, rather than for those who mainly are looking for good stories to read and bad stories to avoid. That said, it is a critical landmark.