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Argosy, November 1947 collected in |
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| Off the Main Sequence | January 2004 | ||||||||||
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Disaster stories based on floods have been a favorite for many centuries. Robert A. Heinlein's short story "Water Is for Washing" is a miniature specimen of the type. This story packs a neater punch than many whole novels of natural disasters and human reactions to them. It is included in Heinlein's collection The Menace from Earth. Whether you call "Water Is for Washing" science fiction may depend on what you appreciate of the great dry basin of desert hollowed below sea level, the long low center of the Imperial Valley in Southern California. Heinlein opens thusly:
The handful of characters are the narrator, traveling on business to various desert towns; a bartender; a tramp; a couple of children; and occupants of vehicles glimpsed on the road. These are ordinary people, random Americans surprised by a disaster with which they must cope immediately or die. In this stark confrontation of Everyman with indifferent Nature, they have more than a little in common with the desert folk of Perfection, Nevada, in the Tremors film series.
These challenges must be faced; there are no good alternatives. As usual, Heinlein mixes a physical life-and-death challenge with considerations of knowledge, self-discipline, empathy, and spirituality. As is visible in many of his stories, Heinlein knows the Bible well, but his approach to religion or to values that are commonly called religious is hard to pin down. From "If This Goes On " all around the circle to Stranger in a Strange Land, he is trying to resist simple closure of his plots when the action comes to an end. He wants us to keep on thinking. "Water Is for Washing". What else is water for? Essential drinking of course; for swimming; and if we're unlucky or careless in the wrong place and time, for drowning. In the Imperial Valley desert below sea level, high ground may be many miles away. If you drive the desert highways around the Salton Sea, you will see roadside signs telling you when you cross sea level. You may also notice a line high in the air on some building, indicating sea level perhaps a hundred feet above your head. There are roads in Imperial County: highways, doubtfully maintained byways, and sandy tracks. In a car racing before a flood, choosing the right roads is essential.
A major flood is a nightmarish situation to be caught in, with human responses often dramatic and heroic; hence our long racial fascination with floods. Heinlein's fellow Missourian, Mark Twain, writes of exploring by steamboat a vast flood along the lower Mississippi River in Life on the Mississippi. The Imperial Valley has its own local memory of a great desert flood, when the Colorado River went through its banks in 1905. The river rushed down into the lowest areas of the Imperial Valley basin, creating the Salton Sea California's largest lake, whose surface is well below sea level. It's the water in the bottom of the pan, but there's still a lot of room down in the pan. You can appreciate the size of the basin by viewing the Salton Sea from space. "Water Is for Washing" is simple and straightforward, quite vivid and realistic. If it speaks to our fears, those are traditional fears, and entirely reasonable in flash-flood areas of the low desert. Since it is by Heinlein, the story also speaks to other strands in our nature.
Thanks to Bill Patterson who ferreted out the original manuscript in the Heinlein Archives at the University of California, Santa Cruz; and to James Gifford who printed them in the online "Errata & Addenda" to his excellent A Reader's Companion I've finally read those two last, lost paragraphs of "Water Is for Washing". To my mind they are symbolic overkill, and the story is better off without them. Heinlein himself in afterthought presumably agreed, since his later book reprintings of "Water Is for Washing" never included those last two paragraphs. I'd already written this review, including my conclusion: does not the simple title of the little story carry its symbolism for us?
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© 2004 Robert Wilfred Franson |
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