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The Princess Comes Across |
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Director: William K. Howard
Paramount Pictures, 1936 |
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| 77 minutes | October 2010 | ||||||||||||||||||
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Romantic comedy & suspense thriller
Princess Olga of Sweden, sailing from France to America accompanied by her lady in waiting, is not entirely what she seems. The unraveling of this by musical entertainer (he's a bandleader and accordion star) King Mantell begins almost immediately, but the tangle and its ramifications permeate the entire movie. Carole Lombard and Fred MacMurray each handle characters of some complexity and subtlety here, with Lombard essentially playing a dual role as Princess Olga and Wanda Nash. Their companions Frawley and Skipworth lend considerable solidity. All this comes across very well.
A second plot-line, unrelated at the beginning, involves a wanted man, a major criminal in France, who we learn by radio report is aboard the ocean liner. His appearance is not known precisely as he is a master of disguise, and could be almost anyone aboard. Before long both King Mantell and Princess Olga are entangled in the police inspectors' hunt for the criminal, whose desperation soon makes the voyage deadly dangerous. The five police inspectors, crossing the Atlantic for a conclave, are each from a different country ("a regular League of Nations" as my father would say). Given the complexity of the story and the limitations of film footage, none of their parts can be large, but they add a nice breadth to the film. The mystery is suspenseful and develops rapidly, pulling in both Princess Olga and King Mantell as well as their companions. As sketched above, this is a lot of film for an hour and a quarter: in characters, plot, and dialogue. The Princess Comes Across is an altogether fine and entertaining presentation of talents, very enjoyable.
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© 2010 Robert Wilfred Franson |
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Guise at Troynovant Romance at Troynovant |
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